Winter 2011
The cover article by Adam Levenson discusses the business of music for games. Capturing the Film Composer features the photographs of Sally Stevens. Composer Cliff Martinez is interviewed by Lori Barth.

Fall 2011
The cover story by Lori Barth looks inside the world of music editing in 2011. Garry Schyman writes about the unique and vulnerable position of media composers in respect to performing rights. Composer Francis Lai is interviewed by Stephane Lerouge.

Summer 2011
In the cover story, John Rodd relates his experience creating his custom-built studio. Alan Bergman writes about Johnny Mercer and Lori Barth interviews composer Mike Post.

Spring 2011
For the cover story, Jeremy Borum writes about finding balance between work and personal life. Arlene Fishbach and Lori Barth pose the question, "What Makes a Standard," to a number of songwriters, composers and publishers. Benedikt Brydern interviews composer Laurence Rosenthal.

Winter 2010
In Living the Impossible Dream, Andrew Goodloe writes about working as a composer while living outside the major media markets. Jack Wall talks about video game music in an interview with David Raiklen, and Adryan Russ interviews composer/lyricist Maury Yeston.

Fall 2010
In the cover story Lori Barth writes about branding--matching a product up with a piece of music. Ron Mendelsohn writes about signing with a non-exclusive retitled library, and Lori Barth interviews T Bone Burnett.

Summer 2010
On the cover, Shawn Clement writes about navigating low-budget and micro-budget waters. Joe Manning writes about the making of the legendary Johnny Mathis recording of "Misty." In the feature interview, Lori Barth and Adryan Russ talk with composer Marvin Hamlisch.

Spring 2010
On the cover, Andrew Goodloe writes about the various tools available to enhance your online presence. Joel Douek writes about live recording in New York, and Lori Barth gets Jeff Beal's thoughts on music & composing.

Winter 2009
Adryan Russ writes about rewrites. Vivek Maddala writes about controlling low-frequency problems in composers studios. Lori Barth interviews SCL Ambassador Charles Fox.

Fall 2009
Andrew Goodloe writes about the importance of data backup. Steve Winogradsky writes about global royalty collection. Lori Barth interviews Paul Williams.

Summer 2009
In the cover story, Todd and Jeffrey Brabec look at Music Licensing Deals. David Raiklen talks to a number of composers regarding the future of live scoring. Lori Barth interviews John Cacavas.

Spring 2009
In the cover story, veteran A&R man Jay Landers shares his views about great songs. Steve Greaves profiles the career of Frank DeVol, and Chris Farrell interviews Quincy Jones.

Winter 2008
In the cover story, Adryan Russ writes about licensing scores from old films and TV shows. Robert Safir writes about keeping up with technology, and Clint Eastwood is interviewed by Chris Farrell and Lori Barth.

Fall 2008
The cover story by Lori Barth explores the current state of Music Libraries. Sharon Farber writes about interns, and Miriam Cutler interviews Laura Karpman.

Summer 2008

Lynda Jacobs writes about the days of Vaudeville. Sean McMahon writes about breaking into the business, and Lori Barth and Chris Farrell reminisce with Leiber & Stoller.

Spring 2008

In the cover story, ASCAP's Michael Kerker gives us a look at the Musical Theatre marketplace. In a music technology article, Les Brockman discusses monitoring latency. Also, Dan Foliart interviews Dario Marianelli.

Winter 2007

On the cover, Hillary Thomas interviews filmmakers to discover their perspective on the film scoring process. Johnny Mercer is remembered by Alan Bergman and Arthur Hamiliton, and Lori Barth interviews David Newman.

Fall 2007

The cover story by Steven Saltzman discusses the role of the music editor today. There are two articles remembering the late Shirley Walker, and Adryan Russ interviews composer Henry Krieger.

Summer 2007

In the cover story, Lon Sobel shares his expertise on the subject of protecting collecting royalties on the internet. Lori Barth & Arlene Fishbach continue that theme with "Chalenges Facing Copyright Owners on the Internet." Also, Lori Barth interviews composer Alexandre Desplat.

Spring 2007

The cover story discusses current issues regarding recording in Los Angeles. Paul Zollo profiles music editor Else Blangsted, and Adryan Russ interviews film agent Richard Kraft.

Winter 2006

"Getting Rid of Your Mixing Board" is the cover story by Les Brockman. Aashish Pathak discusses ways to work more quickly with audio software, and Denis Hannigan interviews John Powell.

Fall 2006

"A Reality Check For The Emerging Film Composer" is the cover story by Richard Bellis, in which he discusses the costs of doing business for composers. Congressman Adam B. Schiff writes about the protection of creative works in the digital age, Bruce Babcock writes about composer Hugo Friedhofer, and Lori Barth interviews SCL Ambassador Ray Evans.

Summer 2006

Author and journalist Dan Kimpel writes about the nuances of networking in the cover story. Lori Barth interviews SCL Ambassador Richard Sherman, and Denis Hannigan interviews Harry Gregson-Williams.

Spring 2006

Conducting is the subject of the cover story by Lori Barth and Eimear Noone. John Rodd writes from his experience as a recording engineer about how to avoid common technical mistakes in scoring. Guitarist Laurence Juber writes about "Thinking Outside The Box," and Dan Foliart interviews Oscar winning composer Jan A.P. Kaczmarek.

Winter 2005

In the cover story Lori Barth takes a look at the inside day-to-day life of an agent. Dan Foliart writes about the demolition of the Gershwin house, and Christopher Farrell interviews composer Michael Giacchino.

Fall 2005

In the cover story, "What's Killing The Business," Lori Barth inteviews composers, lyricists, and others in the industry to get their take on it. In "The Taste of Lyrics" Lori Barth interviews a number of lyricists about how words form pictures, thoughts, and emotions. Composer John Morris is the featured interview.

Summer 2005

Laura Dunn writes about protecting your hearing; Charles Fernandez gives his tips on writing for the bassoon; Lori Barth interviews Rolfe Kent.

Spring 2005

The cover story is a look at the use of library music today. Composer Amin Bathia discusses ways that midi is still useful, and Lori Barth interviews composer Jonathan Wolff.

Winter 2004

James Di Pasquale looks back at the legacy of Raksin, Bernstein, and Goldsmith. Bruce Broughton discusses writing for the tuba, and Jim McVay discusses guitar tunings. Lori Barth interviews Alf Clausen.

Fall 2004

On the cover, Les Brockman discusses repetitive motion injuries that can effect composers and musicians. James Di Pasquale interviews David Raksin, Adryan Russ interviews John Cacavas, and Lori Barth interviews Lee Holdridge.

Summer 2004

On the cover, Lori Barth discusses composer and songwriter cattle calls. Adryan Russ covers writing parodies, and composer Mark Mancina is interviewed.

Spring 2004

On the cover, Lori Barth interviews composers, music supervisors, and songwriters involved in daytime television. In "Under the Gun", several composers and lyricists share their experiences with last minute revisions. In "The Best Orchestral Writing: Revealing An Obvious Secret", Michael Isaacson discusses the role of the string section in orchestral writing. And, Adryan Russ interviews SCL President Dan Foliart.